A short excerpt follows, full text here.
What is striking, however, is how this classic statement of the pro-war myth differs from the war Jünger recorded in his diaries. Indeed, the Kriegstagebuch reveals a soldier who, though clearly the narrator in embryo of works like Storm of Steel, was more susceptible to the war’s grim absurdities than hitherto suspected. If the Kriegstagebuch never gives up on the war as a heroic adventure, it also records moments of clear disillusionment. As Jünger wrote in May 1917, in a meditation on the war’s devastated landscape: “When will this shitty war come to an end? What might one have seen and enjoyed during this time… But still no end in sight.”
There is, in fact, hardly a trope, image, or barb familiar to students of the anti-war myth that fails to find its way into the Kriegstagebuch. Jünger resents the orders of staff officers and begrudges ideas about the conduct of the war from those “rear-area pigs” less acquainted than he with conditions in the front lines. The gulf between the truth of actions Jünger has taken part in and the sanitized accounts that appear in official communiqués calls forth responses ranging from bemusement to disgruntled annoyance. Time and again he catalogs the miseries of rain, mud, cold, lice, boredom, shabby quarters, meager rations, interrupted sleep, and sheer exhaustion. And above all there is the ubiquitous presence of corpses: the soft feel of bodies beneath one’s feet; the unmistakable smell of decomposing flesh, particularly unwelcome at mealtime; the sight and sound of maggots; bodies bloated and covered in flies; the discovery of corpses — or, more often, a mélange of their component parts — while digging in; and the relentless effects of artillery, disturbing and dismembering bodies long dead like a plow turning and breaking the soil. (“Not even the dead,” Jünger dryly notes, “are permitted to rest in peace.”) Death, when it comes, strikes randomly and from points unknown. That the liberal consumption of alcohol figures so prominently in Jünger’s diaries is hardly a surprise."